Degrassi: The Next Generation (renamed to Degrassi for seasons 10 to 14) is a Canadian teen drama television series created by Yan Moore and Linda Schuyler. It is the fourth series in the Degrassi franchise and a revival of Degrassi Junior High and Degrassi High. It premiered on CTV on October 14, 2001, and concluded on August 2, 2015, on MTV Canada.
The series centers around a new ensemble cast of students at the fictional Degrassi Community School who face challenges such as sex, teen pregnancy, bullying, date rape, drug abuse, body image, homosexuality, domestic violence, gang violence, self-injury, suicide, abortion, mental disorders, and others. Various characters from the previous two series also returned as adults in recurring or guest roles.
The series was created by Linda Schuyler and Yan Moore, who was previously the head writer of Degrassi Junior High and Degrassi High. This was the first series to feature no involvement from Kit Hood, who was a co-creator and director of all previous Degrassi series. It was produced by Epitome Pictures (now a subsidiary of WildBrain) in association with Bell Media.
The series premiered to mixed reviews, with some critics expressing doubts about whether the show would achieve the same impact as its predecessors. However, it would ultimately garner both critical and commercial success similar to its forerunners. It received favourable reviews from critics of Entertainment Weekly, The New York Times, and AfterElton.
In its initial years, the show was frequently the most watched domestic drama series in Canada. In the United States, it became the highest-rated show on Noggin's teen block The N. By 2004, the series had averaged nearly a million viewers in Canada and half a million viewers in the United States. In Canada, the series received awards from the Geminis, Writers Guild of Canada, and the Directors Guild of Canada. Internationally, it also won several Teen Choice Awards, Young Artist Awards, and Prix Jeunesse. The episode "My Body Is a Cage", in which a character is outed as transgender, won a Peabody Award in 2011.
During its later seasons, the show's format underwent several changes following Viacom's involvement. In the tenth season, the airing schedule transitioned to a telenovela format during the summer months before returning to its standard schedule for the fall and spring. The series was also moved to MuchMusic in Canada.
The thirteenth season reverted to a weekly schedule and, part way through, it had moved to MTV Canada, where it aired until its final episode on August 2, 2015, after fourteen seasons. The show was followed by Degrassi: Next Class, which followed the remaining juniors from the show's later seasons as well as introducing newer ones, in 2016.
Production
Concept
The Degrassi universe was created in 1979 by Playing With Time, a production company owned by former schoolteacher Linda Schuyler and her partner Kit Hood. The franchise began with The Kids of Degrassi Street, which was spawned out of three half-hour short films, and came to prominence with the critical and commercial successes of Degrassi Junior High, which debuted in 1987, and Degrassi High, which premiered in 1989. The two series followed an ensemble cast of students attending the titular schools as they confronted various issues. It became an international sensation, with the shows experiencing upwards of a million viewers on average in Canada, and received numerous accolades. The telemovie School's Out, which concluded the franchise, aired in 1992.
Schuyler and original Degrassi series head writer Yan Moore began developing a new television drama in 1999, following a reunion of the original Degrassi cast on the CBC series Jonovision. As the months progressed, they began to think about what had happened to the original characters to develop a school-reunion theme. However, they decided that a series would not work effectively if based around adults instead of children. Moore realized that the character Emma Nelson, born to character Christine "Spike" Nelson at the end of Degrassi Junior Highs second season, would soon be entering junior high school, and development for the series took a new direction by focusing on Emma and her school experiences. Schuyler's husband Stephen Stohn suggested Degrassi: The Next Generation as the name for the new sequel series, which borrowed from Star Trek: The Next Generation.
Pitching Schuyler pitched the new series to a number of television networks, with CTV and CBC (the franchise's former network) vying as the top contenders. CTV won through, offering $10 million for a fifteen-episode season. The project was greenlit in May 2000, with the originally planned reunion episode serving as the pilot to the new series. CTV announced the new series at its annual press conference in June 2001, and said the pilot would air in the fall. Soon after, Degrassi crew members attended a conference in New York to find an American partner for the show.
In her memoir, Linda Schuyler explained how the conference went. An American channel called Noggin "had a double mandate: preschool programming in the morning and adolescent programming in the afternoon." Noggin was looking for educational teen shows for the adolescent schedule, and its employees mentioned the original Degrassi as "exactly the kind of show we are looking for." To their surprise, Degrassi distributor Ken Faier was at the conference and responded, "Do I have the show for you: it's called Degrassi." Noggin quickly signed on as the show's American distributor.
In October 2001, the first episode aired on CTV in Canada, and the magazine Kidscreen confirmed that the show was "set to air in Q1 2002 on Noggin in the U.S." In a press release titled "Noggin Tackles Tween Issues with Degrassi: The Next Generation," Noggin announced that the series would premiere on April 1, 2002, as part of its new teen block called The N (standing for Noggin).
Executive producers, script-writers and directors Produced by Epitome Pictures Inc, in association with CTVglobemedia, Degrassi: The Next Generation received funding from the Canadian Television Fund, BCE,, the Shaw Rocket Fund, Mountain Cable Program and the Royal Bank of Canada, the Bell Broadcast and New Media Fund, and the Cogeco Program Development Fund.
Linda Schuyler and Stephen Stohn served as executive producers throughout its run. Other Epitome Pictures employees and series crew members were also credited as executive producers, including Sara Snow, Brendon Yorke, James Hurst, Aaron Martin, and Sarah Glinski.
Story editors included Sarah Glinski and Matt Huether, Shelley Scarrow, James Hurst, Aaron Martin, and Sean Reycraft. Frequent directors included Phil Earnshaw, Stefan Scaini and Bruce McDonald. When production of season three began, a user on the official Degrassi: The Next Generation website with the alias "ExecProducer" began a forum thread titled "Shooting Season 3", revealing production details, guest actors, scheduling information and DVD release details. He referred to himself as "Stephen Stohn" in one post, although it was not until the release of Degrassi: Generations – The Official 411 in 2005, that Stohn confirmed he was the poster and it was not an imposter.
Episode format The episodes are written following the same formula with two or three storylines (Plot A, Plot B and Plot C). The main storyline, A, opened and closed the episode, and was usually driven by a single character. Plot B was usually more comedic in tone and sometimes slightly intertwined with the other stories, often moving story arcs forward. Plot C was usually used sporadically in a season-long arc, but would eventually settle as comedic relief. The problems presented in the episode were not always resolved by the end of the episode, and were carried over to the next, or created a mini-arc over several episodes. The majority of the episodes were named after songs from the 1980s, and since the tenth season, the episodes were named after songs from the 1990s to the present, which represented the entering of a new decade and a completely different cast from the earlier seasons. For the first nine seasons, Degrassi: The Next Generation had been produced as a weekly half-hour teen comedy-drama series, with each season consisting of between fifteen and twenty-four episodes.
Due to falling viewing figures between seasons six and nine, the series developed a daily soap opera format for the summer run of the tenth season, and increased the number of episodes to forty-four. The tenth season also dropped the tagline "The Next Generation", with only one original cast member remaining, and due to the young audience unfamiliar with the past generation, referring to the series as "Degrassi". Season 13 reverted to airing episodes weekly, but still produced more episodes than prior to the soap opera format, airing a block in the summer of 2013 to the summer of 2014.
Opening sequence The opening sequence followed a two- to three-minute cold open. During the first five seasons these credits showed the characters on the school premises and followed a mini storyline. Seasons six and seven featured titles with the actors breaking the fourth wall and facing the camera, over a montage of character videos from past seasons, saturated with blue colour and gold outlines. The montages behind the characters depicting a major event in that character's storyline. For the eighth season, the show abandoned the style of titles used for the previous two seasons and returned to the original form of showing the characters at school while participating in school-related activities. Season thirteen dropped the opening credits, replacing it with an eleven-second montage. This continued into season fourteen. Instead of listing every ensemble actor, after the montage, season thirteen and fourteen episodes credit only the regular actors appearing in that episode.
The theme music, "Whatever It Takes", was composed by Jim McGrath, with lyrics written by Jody Colero and Stephen Stohn. The song include lines such as, "Whatever it takes, I know I can make it through/Be the best, the best I can be", to convey what Colero calls, "a sense of joy and optimism." Lisa Dalbello performed the lyrics with a children's choir over a 1980s pop music style tune during the first three seasons. Dave Ogilvie and Anthony Valcic of Canadian industrial-pop group Jakalope reworked and performed the song with a heavier sound to reflect the growing maturity of the characters in season four. For seasons six and seven, the theme—still performed by Jakalope—was remixed and stripped of vocals. A fourth version of the theme song, with lyrics sung by Jeen O'Brien, was introduced for the eighth season, and a fifth version of the theme, performed by the in-show band "Stüdz" was used for the ninth and tenth seasons. For seasons eleven and twelve, a sixth version of the theme song was used, performed by Alexz Johnson. Seasons thirteen and fourteen featured a truncated version of the Alexz Johnson theme.
Music